The New Yorker: Culture
In a series of conversations, the director of “Furiosa” explains why silent films have the best action, audiences are seldom wrong, and his wife is always right.
Penny, in the East Village, has a polished, understated swagger that somehow makes the oysters taste even better.
The simplest, most foolproof way to extend life is to do so backward, by adding years in reverse.
Through an uncanny hybrid of access journalism and fourth-wall breaking, the comedian created an HBO series that was impossible to look away from.
Moisés Kaufman’s play dramatizes the discovery of a photo album of Nazis at leisure at Auschwitz, and the reckoning it provoked.
Much of the artist’s new album, “Hit Me Hard and Soft,” is about wanting a relationship but failing, in some fundamental way, to sustain closeness with another person.
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