The New Yorker: Culture
After a thirteen-year absence, a great American director returns with an ambitious vision of a city—and a world—in need of renewal.
Anne Hathaway, as Solène, is a vision of relatability, self-sufficiency, and poise, in a film that proves the rom-com isn’t dead.
A feud between two of the biggest names in rap quickly escalated into a mutual smear campaign. How did a conflict based in craft become one that was about so much more?
Two new books by art-world authors explore online shareability and come to different conclusions about what creators stand to gain.
Working with the author, who has died at ninety-two, was both a thrill and a lesson in intentionality.
Rediscovered archival concerts—and one recent one—offer important revelations.
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