The British playwright Lucy Kirkwood’s “The Welkin” exorcises the jury-room drama.

I’d become everything to him—a fun-house mirror, constantly contorting to fit his needs.

Bridgett M. Davis’s 1996 drama centers the art of movies on the legacy and the experiences of Black actresses.

Leaked documents provide a glimpse into the inner workings of Google Search—and contradict the company’s public claims.

Summer recess for the Supremes.

In “The Light Eaters,” by Zoë Schlanger, the field of botany itself functions as a character—one in the process of undergoing a potentially radical transformation.