The New Yorker: Culture
Anne Hathaway, as Solène, is a vision of relatability, self-sufficiency, and poise, in a film that proves the rom-com isn’t dead.
A feud between two of the biggest names in rap quickly escalated into a mutual smear campaign. How did a conflict based in craft become one that was about so much more?
Two new books by art-world authors explore online shareability and come to different conclusions about what creators stand to gain.
Working with the author, who has died at ninety-two, was both a thrill and a lesson in intentionality.
Rediscovered archival concerts—and one recent one—offer important revelations.
In Kholood Eid’s photographs of Missouri, taken six months into the war in Gaza, the quiet act of documenting life is a kind of protest against erasure.
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